I think Keine has the best hat. It's still darn silly though.

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1ce747a20078a421161534d5d550bc4acd601fd6

Let's continue the customary character discussions thread. Just like before, every week, everyone will have a new Touhou character to discuss. If you have anything at all to say, or just enjoy thinking and talking about Touhou, by all means, share your thoughts.
You can comment with your interpretation of the character's personality and outlook, your opinion on what they stand for, story ideas you have for them — anything goes. This is a writing-focused board, but no specific angle or approach is mandatory. You don't have to write a lot either — a small message is just as good, just make sure it's something fellow participants can latch onto or expand upon. As well as just sharing your thoughts, please don't forget to engage with other posters. It's fun to read what others have to say, and starting a conversation helps you shape and enrich your own view.

Apart from the obvious, here are some things you might want to consider:
The boss fight, if there is one — there can be a lot of personality to things like spellcard names and bullet patterns.
The music theme — to help you set the mood, at least!
The character design — visuals are the first thing you see and what you remember them by, after all.
The mythological/cultural inspiration — it can fill in a lot of blanks in an interesting way.
Changes over time — whether in the source material or the fandom.
That's just to get you thinking.

But either way, don't be afraid to speak up. Happy discussing!

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>>18449
That looks more like an awkward attempt at a side view to me, frankly very easy to unsee and/or not take seriously

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>>18448

This should be the topic of the next writing contest. Take a little known fact, tidbit, or observation about a Touhou and just...make a really big deal about it.

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>>18451
Oh man, I love that, actually, lol.


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2hu readan
It only took a decade, but the old thread is now on autosage. That means it's time for a new one. Since we're starting fresh, I'll take this opportunity to clarify a couple of things.

>Recommendations?
There's another thread for that: >>17228.

>Pitching my nifty story idea? Talking about writing?
More of a topic for this thread: >>16503

>Arguing about Touhou canon?
Keep it here: >>16913

>Non-THP stories?
In general, whatever's discussed here ought to be on THP, but as long as it doesn't dominate the thread, stories from elsewhere are fine.

Now that that's all clear, get discussing.
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>>18439
Thank you, highly anonymous enthusiast of olfactory and linguistic fancy.

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>>18440
But, anon, in truth I've accomplished nothing! Only a listing of trifling details absent any true significance. Why, an actual writer could have taken the same ideas and conveyed a sense of place far better than I did in the semi-shitpost above. Globs of adjectives and adverbs spattered about higgledy-piggledy hardly qualify for even a decent attempt at sensory detail. No, I've managed a far cry from any writer with a half decent imagination, to say nothing of enthusiasm for the subject.

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wispy against a night sky

>>18441
>>18439
You've made a good effort in your reply. Perhaps you could expand your attempt for an extra-credit and longer form assignment on the scentscape of Gensokyo. Perhaps it would be worthwhile to highlight how specific stories would be improved by the inclusion of such considerations in their text.


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sensei scribbling

The previous thread (>>16503) is necro-locked, so I guess it's time to make a new one. Same deal as last time: Talk about writing, but keep idea solicitations and unsolicited pronouncements of writing orthodoxy to a minimum.

That out of the way, I wanted to talk about something that might be valuable to some. There's a certain orthodoxy around the shape of narratives resembling an arc, needing to be divided in certain ways, etc. that gets bandied about on the internet and elsewhere a lot. It may help some to adopt that thinking, but I've felt over the years that it hindered just as much. Some narratives really just can't be force-fit into that sort of shape, or trying to do so may constrain things to uncomfortable degrees.

Along these lines, I encountered a book by chance called Meander, Spiral, Explode by Jane Alison (https://search.worldcat.org/title/1049791446). It's less writing advice and more a light examination of pieces of literature and how their narratives take on shapes that depart from the supposedly prototypical arc, mimicking patterns found in nature. To some, it may not be wholly convincing, and certain examples do feel slightly contrived, but I think it's still valuable for consideration. For those who struggle with the idea of the narrative arc, this may well be a godsend.

I was drawn into the ideas presented in Meander, Spiral, Explode enough to try and apply them in some of my own writing. If you can get hold of a copy, I recommend giving it a read.

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>>18417
>Any specific recommendations?
Tbh I don't know any from english natives I'm so sorry

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Here is a link to the letters sent by TS Elliot, a famous poet, to a muse of his called Emily Hale. They cover a period of 1930 - 1956, continuing throughout WW2, so they should have some juicy stuff in them for someone wanting to write an piscescope work like yourself. Best of luck!

https://tseliot.com/the-eliot-hale-letters

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>>18413
For something to read: Dracula and Frankenstein are always good recommendations, I like Flowers for Algernon as well.
Speaking about Dracula, it's amazing how interesting Bram Stoker can make some of Van Hellsing's transcribed monologues.


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It looks like the old thread (>>16402) has passed away into obscurity, never again to be bumped. Oh, well! In lieu of repeating the premise of the previous thread, I'll index the previous posts but otherwise rely on the title to be self-explanatory enough:

>>16403 The Tengu a broad-ranging academic overview of tengu-related myths over the centuries
>>16408 Kojiki, the oldest surviving written work from Japan, which details its ancient mythology and the history of its earliest emperors

But I'm going to start this thread off with a different kind of background influence on Touhou, which many of you will already know about but which some of you might not! The illustrated oeuvre of Takemoto Izumi was an early, maybe even formative, influence on ZUN's aesthetic sensibilities, and their influence can be seen very strongly in the earlier games, extending as far as an entire character—pic related—being imported wholesale into the third game of the series. While the overt borrowings may have tapered off over the years, you can still witness the cute, bubbly, but also earnest and at times seriously reflective sensibility in the tone and approach of Touhou today. So, even though the majority of us may be readers and writers and thus might incline more towards textual aspects of the setting or the lore or the characters' personalities and backgrounds, I think it's worth taking a second look at the "silly outfits" of our favourite girls with a finer and more appreciative eye for what non-textual sentiments might have compelled ZUN to design them that way, beyond the two extremes of "obscure mythological reference" and "unqualified whimsy".

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>>18366
Won't be a few more months until autumn... I should go on a tree-sniffing tour then. Pines and maples and whatnot.

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>>18374
If you come across any Japanese goblins, give them a sniff for good measure, too. Report back on that.

On a slightly tangential matter, I wonder what humie scent is like to non-humans. Do they find it offensive? Intoxicating? Attractive? At the very least, distinctive? Can they tell us apart by smell, or is it relatively constant? Is there a fairly consistent value ascribed, or is there wide variance?

I think I've seen matter of the sort pop up once or twice in THP stories, but it seems like something not often paid much heed.

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Any good recent academic papers out there on miko? I read a few some years ago that I unfortunately never saved. Not having academic database access anymore sucks...


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quick getaway

It’s time for another site event, this time around with a change of format. Something compact but no less fun to read and write!

Participating
Anyone can participate as a writer and/or a reader, and all skill levels and types of interests are encouraged. Prospective writers are to submit a piece by the end of the submission date and everyone, both writers and readers alike, are encouraged to comment about the stories and discuss them. Feedback and critique is always appreciated! As with most site events, the idea is to have the community participate and make things lively.

The tradition is to have people submit entries anonymously, so as to not taint perceptions and color feedback, but this is just a suggestion. The main goal of these events remains to encourage the community to create and for everyone involved to have fun.

Duration
Writers will have a month to prepare their entries and a thread will be created for submissions. The deadline for submissions will be 2025-07-24. Any late entries might not get commented upon by your fellow THP users, so make sure to do your best to have everything ready by the deadline!

Format
This time around, instead of going by themes, I thought it would be interesting interesting to experiment with format. This exhibition is centered around the concept of flash fiction. There’s a few different takes on what that means exactly but for our purpose it means that the entries for this event ought to seek to tell a story within a 1000 word limit. It’s a change of pace from the usual and I think that not only is it useful for writers to attempt different sorts of stories as an exercise but that constraints can make for all sorts of creative solutions.

Below you'll find a few examples of stories that can be considered flash fiction. These authors are all ones whose works I have enjoyed and are not necessarily known for the format. There's a range of styles and approaches on display in the pieces:

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kochiya sanae (touhou) drawn by amibazh - 610322d9

Last bit, and then I'll talk a bit about my story!


22. just ignore this one
- It reads like an interesting creepypasta but okay!

23. Cyberpunk: Lunatic Red (Reinsen in Cyberpunk 2077)
- I'm not familiar with this franchise either. I wonder why Reisen took so many pills too, I thought she'd probably be more careful with those

24. (Unnamed Alice Short)
- I like the interview format, since you can imply so much about the interviewer and the interviewee.
- I like the interpretation that Alice is from Makai and that she was sort of made there, that when she went over to Gensokyo she was essentially already set as a person. I also like how Alice here is a bit fogged up with her memories, which suggests something magical
- The ellipsis use here is a little too much for me, but I like how it's used to show the significant pauses in the story, like the pause before 'big things'
- The characterization of Alice as having a bit of a mimetic desire is interesting. Her explicit denial of loneliness at the start is really nice as it shows she's probably very worried about being lonely. I get the impression that Alice is still very much seeking, and that's a nice melancholic feeling to evoke
- Overall an enjoyable melancholic short about Alice

25. Would you like to know more?
- I think this is the Starship Troopers style? I see the irony in it. I've never played Helldivers either, so I can't speak to that game, nor have I read any Warhammer 40K books
- I like the bits about recommended usage, since it evokes scarcity
- I'm not sure about the bits of speech interspersed since that makes me a little confused about the format. Is this some sort of propaganda broadcast being interrupted by a drill instructor? Also, I'm not sure why some terms are italicized and some aren't
- I like the recursive promotion of Reisen into infiltrator
- Overall, I'm not sure about this one.

26. One Shell Too Many

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Sen here! Before anything else, 'tom' in the context of my entry is related to 'tomboy', so a 'tom outfit' is an outfit emphasizing more masculine, angular stylings. In my headcanon, it's the equivalent here of a woman with her hair cut short and wearing a turtleneck with pants, sort of the Audrey Hepburn look. Rabbit fashions!

I hope that clears up the mystery and I apologize for confusing everyone.

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I vaguely promised a self-review somewhere up-thread. There's not terribly much to say since I've gassed on about thematic matter in responses to others, but I suppose I can make a quick remark about the writing process.

Unlived was a fairly deliberately written piece in a way that I feel other works of mine haven't been. I started from a fairly basic core conceit — someone looking up at the summer sky and feeling wistful — and tried to derive a narrative from that. The choice of Youmu as a central character came from a slightly murky place, but it was a sort of process of elimination of characters I felt could feel wistful about anything; I was also deliberately avoiding Mountain characters this time, as I hew rather close to them in writing. I perceive something of a purity and simplicity of feeling in someone like Youmu, and the starting place was that simplicity in drawing on the longing felt gazing up at the nighttime sky in summer. The rest was a question of what she would long for and how that would manifest, not to mention how to practically tie that up in a thousand words. I feel the construction of it was like an essay in some ways, and I wasn't very sure of it as a story as I was writing. As I've said elsewhere, I felt I may have been beating the audience over the head with thematic ties like the strings, cords, and so on, not to mention the endless severings and cuttings. There were certain bits where I fell victim to trying to be too economical with words in service to the word count, and I ended up being a little awkward in terms of wording. In some ways, I also feel I might have been a bit too simplistic in my approach to portraying things, but I also believe it was suited to the format. Anything more involved would have called for a longer story, so there was little I could really do in that regard.

Ultimately, I'm not sure of my prowess at flash fiction, nor do I feel an especial affinity for the medium, but I did have fun with it on some level. Being able to keep a certain strong focus on a single idea made writing, something rarely simple for me on a certain basic level, straightfo

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12285-2610942493

Ah. Finally, you're here. Why am I not surprised? Your coming was foretold...

Hello and welcome to Lucky (Pervert) Draw, a 2025 Lewd Shorts Writing Competition!

Keeping the terms dead-simple:
- 5 weeks to work on your entry, from right now till May 23rd.
- Submission window of 3 days, from May 23rd through 25th.
- Followed by a week-long voting period, with results on the 1st of June.

That out of the way, your theme this year is:

- Whispered Oracle of Hakurei Shrine -

... Wait. Huh? What does that mean?

Elementary, my dear Writeson! It means your task this time is to delve into the newest Touhou print work, Whispered Oracle of Hakurei Shrine, and pervert any of the information contained therein into a titillating short. Whether it is the character's fortune coming true or a titbit from ZUN's commentary; whether the fortune applies to the character themselves or somebody having drawn it; whether it is the in-universe fortune slips effecting the events in some magical, lewdical, mysterious way, akin to Occult Balls or Ability Cards - is up to you. All is fair in divination. Just don't taunt the shrine maiden.

Of course, since the book is rather new and its translation is, in a word, ongoing, I encourage anyone with relevant resources to chip in below. Otherwise, however, nobody's to hold anybody accountable for misunderstandings arisen from misinterpretation or MTL. Let's all READ THE FUCKING PRINT WORKS, as the adage goes, but let's also give ourselves the cross-lingual slack. Again, pipe up below if you've doubts or are adamant about one fact or another.

The reward, as always, is a short featuring the winner's character of choice, set within the contest's restraints. If there are 5 or more serious entries, runner-ups can count on consolation illustrations as well.

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>>18163
>>18164
Ah, shoot. That's what happens when you, ah, over-focus on, er, certain areas of the picture over others. An easy fix at any rate, if you at all care:
https://files.catbox.moe/el7p3u.jpg
>I had a more silvery hair colour in mind while I was writing it
My thought process went: eagle -> bald eagle's the popular depiction, innit -> so, a smoothed-down, white-ish dome with some kind of yellow/orange accent to evoke the beak. Come to think of it, perhaps looking at bald eagle pictures stuck him with yellow eyes in my head.
>August/September
I'll drop a note and pop the question somewhen closer to that time, then.
>AO3 version
Planning on that soon? I'd like to include a link once I chuck these up in the usual places, some time, finally, eventually.

>>18167
>an interpretation of the peanut trees
Admittedly a bit of an afterthought on my part, and I realise those nuts are the size of award-winning apples, but I wanted something visible there. Yanno?

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>>18170
Human I remember your
>interpretation

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That Doremy cosplay pic is almost criminally cute.


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magical fanfiction for reading
The old thread's too old to be bumped, so I thought it might be nice to make a new one.

I think the basis of THP should be loving a) the Touhou Project and b) reading about characters or situations pertaining to it, and part of having a healthy community is a willingness to share what you like. So, honestly, even if you feel like 'everyone in the world' has read something, why not try to push it anyway? Celebrate the things you love! Maybe there's someone out there who somehow hasn't heard. We don't all run in the same exact circles, after all; it'd be pretty boring if we did.

This thread might seem a bit redundant when we have a more general story discussion thread (>>13108), but I feel like this thread should be more about sharing stories and making others aware. Sure, there can be a little bit of crossover in discussing or questioning what makes a story noteworthy, but anything particularly heavy would be better off going in the other thread.

Also, if you want, you can recommend stuff that isn't from THP. It'd be better if it was from here, but it's better to share what you love than not.

To start things off, I'm going to make a recommendation that I've made before and won't stop making: Theater of Youth (https://www.thp.moe/others/res/44424.html).

It might be easy for some to dismiss it off-hand because it's 'a high-school AU', but that's a mistake. There's been a lot of care put into this story by its author, taking pains to not just transplant the cast of the Touhou Project into a notionally different setting, but to convey the circumstances and facets of those characters and express them as they normally are in a new setting. It's not just a what-if exercise but a joyful celebration of, among other things, VNs and anime of the '80s and '90s. It's also a real breeze to read at a thousand words an update
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>>17980
Best story on the site, in my opinion. There's nothing quite like it, and I wish there was more. If only The Kinu Yasumi Almanac got finished...

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>>17987
Speaking as a collaborator on that one, it would have been hard for Kinu to finish since the writer, uh, didn't plan much and lost interest in figuring it out after a while. Rural Concord ended up being something like a spiritual continuation, even if it wasn't strictly the same.

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Here's another story I haven't seen anyone bring up:
>>/border/31609

The premise is pretty interesting as far as "walk around and survey Gensokyo" stories go, and it's short and sweet. No need to artificially heighten stakes for the sake of a forced plot or neatly tie up everything with a comprehensive conclusion, just a quick, cozy stroll with some fun character interactions. There's not too many stories that (tangentially) touch on the gyrations of the afterlife, so there's that too. Reading it shouldn't take that long for most considering it's pretty short, so there's not much reason to not. More CYOAs ought to be as small-scale and focused. Maybe more would finish like this one.


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__okazaki_yumemi_and_kitashirakawa_chiyuri_touhou_

Figure this would be a good place to ask being a Touhou image board lol, I've been on the lookout for some rules for Gensokyo D20 that weren't archived, Mainly it's rules for monstrous races like Satoris and Vampires (His words not mine lol) and the Magic Items, as these weren't saved by the Internet Archive as they're Word Documents rather then part of the site it's self

https://web.archive.org/web/20160704213434/http://gensod20.alotspace.com/index.html
PDF I made of the archived stuff from the site: https://archive.org/details/gensokyo-d-20

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__cirno_and_daiyousei_touhou_drawn_by_tatutaniyuut

Just realized I forgot to say what it even is, Gensokyo D20 is a Touhou D&D 3.5 conversion.

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Have you tried asking the Touhou Subreddit? Or maybe /jp/ now that 4chan is back online?

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>>18013
I remember his posts. He's already been to both, as well as /tg/ and, IIRC, an altchan or two. From what I gathered, most of the rules were found saved elsewhere except for the ones he specified which unfortunately seem lost. About the only thing you could do is try tracking down the author for them, or do your best to homebrew up those monsters and magic items.


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A few people in the discussion thread and/or the discord have mentioned either having hoping to say more about characters once their week was over, or due to circumstances were not able to participate in the discussion of the week. So I decided to create a thread for people to be able to continue those discussions without taking up the main thread!

Here’s Teruyo’s link to the characters discussed so far (as well as for the character that is currently being talked about, but discussion for that character should be reserved for the main thread!): https://www.thp.moe/discussion

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I think the only backstory Alice needs is Jefferson Airplane's "White Rabbit".

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>>17991
>By the way, I don't have a concrete idea of how exactly Alice left Makai
My apologies, clearly, it was to work as Mima's maid. (Yes, I know it was just a gag...)

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__kawashiro_nitori_and_inaba_tewi_touhou_drawn_by_

I really liked the Tewi discussion in the first character discussion thread so I wanted to bring her up again. Namely some of her dialogue that I liked
Starting from the top in PoFV, when Lyrica asks if Rabbits used to fly in the sky, Tewi answers that they did but evolved away from that. After winning, when answering why she flies, Tewi says that there wasn’t anywhere else she could go any more so she decided to go up.

When Youmu says it's strange for an animal like her to enjoy the netherworld, Tewi answers that rabbits are high class animals who exchanged a lot with gods in the past.

Finally in her story mode, She then tries to buy part of Medicine’s flower field from her, but gets poisoned instead.

After that Eiki scolds her for being a trickster, leading to her versus dialogue where she dispenses these fortunes.
If Reimu makes the Torii gate of the shrine face south instead of east she will have good luck
If Marisa moved out of the forest of magic she would have good luck
If Yomu stabs herself with her sword, she will have good luck
Tewi tells Cirno to go after frogs of higher rank, getting Cirno eaten by the great toad. This probably isn't a fortune and is just a prank.
Tewi tells Merlin she’s willing to help promote her as a solo act as some sort of business deal.
Tewi advises Mystia to open a new business, causing her to open her lamprey stand.
Tewi talk to Aya about improving how well her papers sell. Later Aya starts handing out free extra additions, it isn't successful due to Aya being dumb and not much happeneing.
Tewi goes back to medicine to ask if she's reconsidered selling some of the land in her field of flower. (Just speculation, but since Medicine and her flowers poison can also be used to create medicine, she probably wants to align her desire to see pretty flowers and secure a new source of resources for the Hourai Pharmacy.)
Tewi scolds Komachi for being wasteful with money and using it as a Danmaku (I find it funny, I've seen more poor Komachi's then rich ones, but in reality she's loaded just poor at handling money.)
When talking to Eiki in the versus mode, she says she’s giving people good a

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drinking party

It’s time for a new thread to continue the character discussions. After talking to the other people involved, I’m taking over the hosting duties and you can expect a new character to be randomly chosen every week starting from now on.

For convenience’s sake, I’ve set up a page showing the current character and past selections. It should be easier to keep track of previous discussions going forward.

Information on how this thread works and other details will follow in the next post.

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>>17973
People said the same about several touhous with little lore, and yet Satono/Mai and Nemuno produced very interesting discussions in the end, leaning precisely into the personal interpretation angle.

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>>17976
Exactly!
Also, PC98 characters have the benefit of there not being all that much to know in the first place. Their in-game appearances are basically what they are, you won't even have to do a lot of reading or anything. Which is why I'm suggesting it! The barrier to entry is lower for people who may not really engage with the cast outside of a few favourites, but may still want to comment. And it's just fun! Old works are fun, th1 especially is very fun to talk and think about.

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Well, are we going to get new characters to discuss? The irregular discussions thread seems to be active enough, even if people aren't writing huge posts every time. If Teruyo is fed up and doesn't want to run the discussion thread, should someone else take over?


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