Uncharted: Eastern Wonderland
Anonymous 2015/05/10 (Sun) 21:01
No. 1855
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In retrospect, I really shouldn't have expected robbing a palace in
Hell to have gone smoothly.
Now, there's a lot I could say about how Sully and I flew to Japan, smuggled an open four-by-four into Gensokyo (and how we found out about that place is another thing entirely), drove underground, and broke into this 'Palace of the Earth Spirits' (a place I'd have loved to explore more but for, you know, the shooting and everything), but I'll just cut to the part where we were driving said four-by-four back
out, my satchel loaded down with-
Well, let's just say it was something that'd leave us sitting pretty for a long, long time to come, yeah?
Anyway, you wouldn't think you could easily drive a car around inside a building, but whoever built the place really, and I mean
really, went all-out here. I'm talking hallways you could fit a tank in with room to spare, something Sully was taking full advantage of as our ride squealed through the tiled hallways. While that crazy old son of a bitch drove, I was taking wild shots with my pistol at the people chasing us.
Now I've dealt with a lot of crazy stuff in my time, but I don't think they hold up to a woman with a giant orange rod stuck on her arm and raven wings carrying her through the air, and that's not counting the fist-sized Eye of Sauron she had on her chest, and also there was her cape with stars flowing on the inside? I was too busy being terrified of the freakin' laser beams she was shooting out of that arm-cannon to get a better look. In comparison, the little redheaded kitty-girl flying next to her and pitching fastball skulls at us just seemed tame.
"Incoming!" I yelled, ducking just as one of those flaming skulls smashed against the back of the four-by-four and exploded, face-meltingly hot blue fire rising high for a split second. "Holy crap!"
The key word was
in comparison.
"Hold still!" Utsuho bellowed (the crow woman, just to be clear (and how I learned her name, as w
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Anonymous 2015/05/17 (Sun) 14:25
No. 1859
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“She knew about this, you know,” Lyrica whispers. They sit huddled by the safehouse windows, four in a row. (Not under—they learned that rule the hard way, when the missiles tore through the last rest stop. No windows, no hats.)
“Who did?” Reimu asks.
A long time ago (a week ago), Lyrica's smile was sly and quiet. Today it is filled with teeth. Reimu thought Merlin would crack first across the three of the sisters, Merlin with her boundless energy tumbled into restraints, but it is the thinker Lyrica who is the closest to faling over the edge. She can hear Lyrica during the nights, when they're pretending any of them can sleep—Lyrica, muttering at the walls, creaking louder than the floorboards, with plans and plans and nothing to execute them with.
“Layla,” says Lyrica. “Layla knew about this, I mean. She told us stories.”
And Reimu is the last of the Hakurei at the moment, keeper of the Shrine, guardian of the Border (
and you sure did a bang-up job of that this time, didn't you, dear), but it's dark and she's tired and she's spent too many hours already cooped up shoulder to shoulder to a girl who's only barely on this side of real, so she snaps, “Told you stories about Gensokyo and an army of
clowns?”
“We weren't
from Gensokyo,” Lyrica hisses back. “None of us are. I was just going to ask—” She stops, looks away, lips twitching, and Reimu has the sudden feeling she's gone too far, like maybe she's spent so long watching Lyrica at the precipice that she forgot her own feet were there, too.
“I wanted to ask if you wanted in, but forget it,” Lyrica says. We'll get our things back on our own. Come on.”
She leaves the safehouse, shoulders high until the moment she crosses the doorway and she has to watch her back again (the difference between pride and stupidity). Her sisters follow behind her, single-file, like students on a field trip—Merlin first, then Lunasa, who pauses at the light to look one last time at Reimu and Reimu can't tell if it's disapp
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