[x] Check Inventory.
[x] "I don't feel like returning to a dark apartment right away on a nice day like this; how late do the trains run?"
[x] "Is there a cafe around here? I've been living on drip coffee for many weeks and could really go for an espresso. Ah sorry, I don't mean to keep you if you are busy or have a curfew."
[x] Whether on train or at a cafe: "Your friend Aya mentioned, Reimu was it? Would you introduce me to her? I would like to expand my list of social contacts, even if just by a little."
[x] "Also, could you explain to me about Kaguya and Mokou? From what I can guess, it doens't really sound like friendly competition."
[x] Trade cell phone numbers.
1. The residential area you and Marisa live in
2. Iwatodai Station
3. Hakurei Shrine
4. Port Island Station: Movie Theater, Flower Shop
5. Gekkoukan High
6. Paulownia Mall: Coffee Shop, Music Store, Karaoke, Antique Shop, Arcade, Pharmacy
More key places will be revealed as you advance the story. Please excuse the ugly numbering; I’m stupid and have no idea how to use layers.
Some sub-places aren’t written there. It doesn’t mean they don’t exist, it only means Bissi haven’t found them yet.
Original image:
http://img93.imageshack.us/img93/8567/mapqc7.jpg ---
You open your schoolbag whilst walking along with Marisa, making sure you left nothing behind in your classroom. Granted, you have with you some items that you won’t want to lose because of carelessness, for instance: your cell phone. It is inside your school bag, for your skirt doesn’t have any pockets to carry it. Too bad, you could’ve put your hands inside coolly whenever you’re idling around should it have any as a tribute to a certain someone, but what can you do about it? It’s unclear as of yet too whether you’re the type of person to put her hands inside her pockets for some unknown reason.
*cough*
Aside from your cell, you also have inside your bag a small mp3 player with a long blue cord and silvery cable for the earbuds attached. The mp3 player has a metallic part on its side that serves as a plug, enabling it to be connected to a computer similar to a USB, except that it won’t receive any data other than songs. You’ve been having that player since before you moved in to this town, and it’s still with you for whatever reason. It’ll be useful if you’re bored and would like to listen to songs for entertainment, or for some other purposes you’ve yet to discover. Doubtful there’ll be any, but who knows?
You’re not in the mood to listen to the player right now, since you’ll need to check more of your bag’s contents first. There are several books inside, both of referential purposes and to be used as notes. They aren’t important as for now, but they might when you get home and if you want to review what you had learned at school. There’s also your pencil case, inside there are tools for your learning: pens and pencils; two for each, an eraser and a protractor for math class. You also have a long aluminum ruler inside; the edges aren’t as sharp as a blade but why would you want to cut something with it?
Another thing worth mentioning would the empty case of your bento, and your wallet. For now though, your attention isn’t directed towards either. Seeing your cell a thought flashes in your mind to ask Marisa for her number. Enlarging social contact is important for you, and it’ll make it easier for you to contact Marisa any time. You turn to her, “Marisa.” you said. You wait for Marisa’s eyes to meet yours before continuing.
“Do you have a cell phone?”
“I do, why?”
“Can I have your number then?”
“Of course! Can I have yours too?”
“Sure.”
Marisa unfolds her own bag and fetches her cell. It’s bigger than handphones of these days and has an antenna stretching out from the upper part - the marks of an old model, the kind that was manufactured years ago in the past. Yours on the other hand is smaller -presumably lighter- and more hi-tech in comparison, with the feature of capturing images common in cell phones nowadays, aside from the Bluetooth capability. You look at Marisa’s once again; hers has no lens on its back, indicating that it has no extra features yours has. It doesn’t even have a camera highlight, let alone Bluetooth.
After you and Marisa both have the cell phones in hands, the two of you begin exchanging and saving each other’s phone number. She also gave you her home’s number, in case you want to call her home she added. When she asks for yours, you tell her that you don’t have a phone in your home. You won’t have any use for one since you live alone, and you can be reached via your cell. The bill for additional phone would be better used for your internet connection too.
As you finished with the exchange you ask, "By the way, I don't feel like returning to a dark apartment right away on a nice day like this; how late do the trains run?" Marisa touches her lips and tilts her head, trying to remember the train’s schedule as far as her memory serves. “I think the last one’s at 10 PM, it does run until late night. Where do you wanna go?” she asks you back. You explain, "Well, I've been living on drip coffee for many weeks and could really go for an espresso. Is there a café around here?"
“You should’ve told me earlier.” Marisa sighs. Looking at her, you think that you might be disturbing her schedule.
“Ah sorry, I don't mean to keep you if you are busy or have a curfew."
“It’s not that.” Marisa shakes her head, “It’s just that to get to Chagall Café we’ll have to go back there again.” she points to her back, she must mean to get to the café you’ll have to return to where you were again and take a different route. “I guess I can take you there, I can still get home before dinner. Besides, coffee’ll help me stay awake for studying.”
“Sorry, I didn’t know.” you once again apologize, this time for suggesting a detour -probably a long one-, but Marisa just smiles cheerfully at you and says that it’s alright.
Indeed, it’s a long way back to reach the said café. You notice that you’re heading right towards the school all over again. How impractical, especially after you hear that to get back home you’ll need to turn around again to reach the station. The other passage connecting the island of your school to your home is a suspension bridge meant only for vehicles to pass; you have to use the train if you’re on foot.
You remember the event with Aya and about what she said before as you walk. What were the names? Kaguya and Mokou? Who are they? What happened between those two? Curious, you decide to ask Marisa.
“Marisa, could you explain to me about Kaguya and Mokou? From what I can guess, it doesn’t really sound like friendly competition."
“Them? Heh, they’re always arguing whenever they see each other’s face for whatever reason. I heard it’s been going on since they were kids, something about their families been enemies since who knows when.”
“What happened between them?” you ask.
“They’re both aristocrats, think it’s about Mokou’s family’s a descendant of a mistress from Kaguya’s, and they were fighting over inheritance and stuff. Down and down to those two, their families’ relation’s still bitter. Maybe that’s why they aren’t on good terms with each other.”
“You’re not sure yourself?”
“Honestly I’m actually a bit curious about them, but I still got better things to do than pointing my nose around.”
You nod. You do hear that Marisa has a nice grade from Aya. That ought to come from a good amount of effort from her part.